
Wednesday, 22 July 2009

Josse Davis, ceramics
Although throwing at four I spent my formative years modelling animals. My first commission came to me aged six; make the neighbour three sharks. After the glaze firing however I realized all my dorsal fins were facing backwards.
I hope my animals still contain traces of that illusive ingredient, the naive charm of a benign smile or awkward squint.

Tuesday, 21 July 2009

Drawing from a range of subjects such as flora and still life arrangements, a continuing subject for Jane has been the figure.

Her designs are a combination of sculpture and function, using soft flowing lines and feminine curves to enhance the materials and entice people to explore and handle them.
She developed a passion for pewter after discovering it while doing her degree in 1992. She found it to be a material with lots of possibilities, its polished lustre and colour, complimented the tactile quality of her designs.
She only uses lead-free pewter in her work, so unlike old pewter it will not tarnish and become grey. She utilizes a variety of processes such as casting, stamping, hand-forming and etching to produce her designs and has recently also started to work with other materials such as wood and slate, which she incorporates in her designs as they also have a tactile quality which compliments the pewter.

Lorraine Gibby, Jewellery
Lorraine discovered that the material anodised aluminium enabled her interests in painting and printing to combine with a desire to form three dimensional pieces.
Sheets of anodised aluminium are painted, printed and textured very much as one would make a painting. Certain areas are selected for quality of colour and interest and then prepared to be formed into items of jewellery. The curves and angles of the jewellery brings out the sparkle and texture. Many pieces are combined with silver for added contrast.

I am fascinated by drawing and the ability to create an image from lines and marks on paper. I like to experiment with paper and cardboard exploring scale and form, which are translated into more permanent media like ceramic, bronze, steel and wood – enjoying the variety of materials employed in my sculpture like hard metal and soft clay I can realise the sometimes surreal world from within. For me being an artist is a form of constant play and enquiry in many forms on many levels……my work is born from the bonding of internal and external experiences and the conclusion of a piece is the point at which it exists by its self with the artist the link in a process of creation.